OBSCENE list of works
The Stage
Shagha Ariannia
Let Your Salute Be To Colors, 2019
Acrylic and spray paint on Dura-Lar
Dimensions variable
Shagha Ariannia
Culture Stinks: Great Books and Men, 2019
Acrylic on Dura-Lar with light box
24 x 24 x 3 inches
Olivia Mole
Take Back Future-Tripping, 2021
AR Instagram filter
Digital fabrication by Miles Peyton
No dimensions
Olivia Mole
The Social (A Bear Shits in the Woods), 2020
Camping toilets, plywood, lamps
48 x 24 x 30 inches
Olivia Mole
Nature Naturing, 2020
Charcoal on paper
53 x 53 inches
Olivia Mole
Tenting (A Bear Shits in the Woods), 2021
Zentai suits, Polyfil, fake fur, acrylic paint, fabric, acrylic nails, foamcore, glue, leaves, shoes, safety pins, tent, lamp
54 x 36 x 78 inches
Shagha Ariannia and Olivia Mole
Nature, 2021
Spray paint, charcoal and acrylic on canvas with purchased lenticular greetings cards and lights
168 x 96 x 36 inches
Shagha Ariannia
Book of Law, 2018
Acrylic on canvas
40 x 25 inches
The Living Room
Olivia Mole
Refried Acconci and Chill (A Bear Shits in the Woods), 2021
Zentai suits, Polyfil, fake fur, acrylic paint, fabric, acrylic nails, foamcore, glue, leaves, shoes, safety pins, sofa, TV monitor with video, 33 mins
Dimensions variable
Stanya Kahn, Tala Madani, Olivia Mole
Exquisite Corpses, 2020
Mixed media on paper
Variable dimensions
Courtesy the artists
The Reading Room
Shagha Ariannia
Great Books and Men Series, 2018
Acrylic on paper
9 x 11 inches each
The Bedroom
Brontez Purnell Dance Company
“Pillow Fight" fr. Episodes II, 2013
Digital video, 4 mins
Performers: Brontez Purnell and Oscar Tidd
Video: Sophia Wang
Editing: Indigeux
Courtesy the artists
Rachel Harrison
Break, Burn and Throw Stuff, 2019
Digital video clip; infinite loop
Courtesy the artist and Greene Naftali, New York
From The New York Times. © 2017 The New York Times Company. All rights reserved. Used under license.
Chester Vincent Toye
The Tesla Toucher, 2019-2020
Digital video on iPad, 26 mins
Courtesy the artist
Nathaniel Mellors and Erkka Nissinen
Excerpt from Aalto Natives, 2017
Digital video clip, 3 mins
Courtesy the artists
Shagha Ariannia
One Hundred Questions, 2019
Digital video, 4:46 mins
Olivia Mole
The Social II (A Bear Shits in the Woods), 2021
Air mattress, Polyfil
60 x 80 x 36 inches
The Kitchen
Anthony Discenza
Trouble in the Interior (Sinister), 2015
LED signboard, IMDB Parental Content Advisory text
8 x 90 x 2 inches
Ed. 1 + 1 AP
Courtesy the artist
Olivia Mole and Alfred Riley
Descartes’ Daughter // Robocok, 2021
Drawing robot arm with flowers in vase
Dimensions variable
The Bathroom
Max Cleary
More Seemlier or Beautifuller, 2021
Archival pigment print
12 x15 inches
Courtesy the artist
Olivia Mole
Churn and Mix, 2021
Page tears from The Hero of Negropont by John Mole
11 x 8.5 inches
Olivia Mole
Beuys Fat(berg) Chair, 2021
Porcelain toilet and toilet paper
32 x 11 x 30 inches
Backstage
Shagha Ariannia
Get A Leg Up, 2018
Acrylic on canvas
48 x 48 inches
Shagha Ariannia and Olivia Mole
Pulled Pardeh, 2021
Moving blankets and furniture
100 x 80 x 70 inches approx
Olivia Mole
Flashers Lack, 2017
Digital video, 3 mins
BANK (Simon Bedwell, Milly Thompson, John Russell)
Press release for 1999 BANK exhibition ‘If Hope Were a Time Machine’, 1999 (reprinted from PDF 2021
8.5 x 11 inches each of five pages
Courtesy the artists